MINDD - ASSOCIAÇÃO NACIONAL DE DEFESA DAS VITIMAS DOS FALSOS CONDOMINIOS - 13.06.2008 A 13.06.2025- 18
ANOS DE GRANDES VITORIAS FALSE CONDOMINIUMS´s VICTIMS Community- A non-profit organisation focusing on Human Rights issues around the world, with particular focus on BRAZIL - DESDE 2008 AJUDANDO A DEFENDER A DEMOCRACIA E DIREITOS HUMANOS NO BRASIL - email : mindd.defesa.de.direitos@gmail.com
This video is a reflective and comforting prayer intended for the beginning of the day, inviting the listener to find inner peace before daily obligations.
Main themes addressed:
The sacred awakening: The morning is presented as a new opportunity, an invitation to life and to a new beginning, in which every moment of silence can be transformed into a moment of spiritual connection (0:00–2:06).
The Spiritist view of existence: The video reinforces that life is a school and time is an instrument for evolution. Difficulties are not seen as punishments, but as tools for learning, refining character, and developing virtues such as patience and humility (3:24–8:27).
Spiritual support: The constant presence of spiritual benefactors who, discreetly, sustain and inspire our thoughts and attitudes, without taking away our individual responsibility, is emphasized (9:22–11:15).
Prayer of gratitude and renewal: The central part of the video contains a profound prayer in which the individual asks for serenity, discernment, and strength to deal with daily challenges, seeking to repair mistakes and remain focused on doing good (12:21–19:47).
Spirituality in everyday life: The conclusion emphasizes that evolution does not occur only through great events, but through the simple attitudes of everyday life, through the way we treat others and ourselves, keeping the inner light burning in all circumstances
NO ROBE ABOVE THE THRONE is a Southern outlaw country-gospel song about earthly power, human dignity, and the truth that no black robe, courtroom, or gavel stands higher than God’s throne.
The song was inspired by a disabled, self-represented woman in Colorado who reached out while fighting to protect her home. She described entering court with dates, documents, and evidence, only to feel demeaned, excluded, and treated as though she did not belong. She reported confronting judicial and legal conduct she believed was improper while facing the terrifying possibility that her home could be taken and sold.
This song gives emotional voice to her experience. It does not ask the listener to treat every reported allegation as an established fact.
It asks something more fundamental: Will anyone listen? Will anyone preserve the documents, examine the docket, test the claims, and demand lawful accountability wherever the evidence leads?
A judge may occupy an elevated bench, but judicial authority is delegated authority. It does not place any human being above truth, due process, disability rights, moral accountability, or God. The dignity of a courtroom belongs not only to the person wearing the robe. It also belongs to the disabled litigant, the frightened homeowner, the widow, the elderly person, and the self-represented citizen standing alone with a file in her hands.
The central declaration is simple:
“No robe, no gavel rises higher than His throne.”
When wounded people bring me their records, I do not promise that every accusation will be proven. I promise to listen, preserve what they provide, organize the chronology, compare statements with documents, correct the record when necessary, and follow the evidence rather than personalities or allegiances.
That is the principle behind this song:
EVIDENCE BEFORE ALLEGIANCE.
The people pictured and identified in the cover artwork are included because their names or roles appear in records associated with the woman’s account and the questions being examined. Their inclusion is not, by itself, a declaration of guilt, misconduct, conspiracy, or legal liability. Allegations remain allegations unless supported by authenticated evidence and established through a lawful process.
Musically, NO ROBE ABOVE THE THRONE carries the gravity of a country dirge and the hope of a gospel testimony: a weathered baritone, slow boot stomp, acoustic guitar, harmonica, fiddle, and slide guitar rising beneath a message of courage. It is not a call for vengeance. It is a call to protect the vulnerable, preserve the record, test every claim honestly, and remember that earthly authority is never ultimate authority.
If you have experienced judicial mistreatment or fear losing your home, preserve every order, notice, transcript, accommodation request, email, filing, property record, and deadline. Keep the original documents. Build a clear chronology. Seek qualified legal assistance where possible. Do not threaten or harass anyone. Let verified evidence speak with a voice that cannot easily be dismissed.
For every person who has entered a courtroom frightened, disabled, unheard, or alone, this song says:
Your dignity did not disappear when you walked through those doors.
Your evidence deserves examination.
Your voice deserves to be heard.
And no robe stands above the throne.
Written and presented by Krstafer Wade De Pinkerton
O vídeo apresenta a música "NO ROBE ABOVE THE THRONE", uma composição estilo outlaw country-gospel escrita e apresentada por Krstafer Wade De Pinkerton (Tablet of the Heart Records).
A obra aborda temas de poder terreno, dignidade humana, direitos de cidadãos sem representação jurídica (pro se) e a crença de que nenhuma autoridade judicial está acima da justiça divina.
Pontos principais do vídeo:
Inspiração e Propósito: A música foi inspirada na história real de uma mulher com deficiência no Colorado, que enfrentou desafios para proteger sua casa em uma batalha judicial, sentindo-se desrespeitada e desamparada pelo sistema (0:28-0:55).
Mensagem Central: A letra enfatiza que "nenhuma toga, nenhum martelo se eleva acima do trono de Deus" (1:24-1:27, 2:40-2:43), reforçando que a autoridade de um juiz não o coloca acima da verdade, do devido processo legal ou da dignidade humana.
Defesa da Evidência: O autor defende o princípio de "Evidência antes da Lealdade", encorajando pessoas em situações vulneráveis a documentar cada etapa, preservar registros e buscar a verdade honestamente, sem recorrer a ameaças ou assédio (3:40-4:00, 4:37-4:45).
Estilo Musical:A música combina um barítono grave com instrumentação rústica (violão, gaita, violino e slide guitar) para transmitir uma mensagem de esperança e coragem para aqueles que se sentem sozinhos perante o sistema (descrição do vídeo).
“Dust and Ashes in Cowboy Boots” is a Southern country-gospel testimony about humility, stewardship, temptation, and recognizing where every good gift originates.
I did not arrive where I am through intelligence alone.
Whatever ability I have to write music, examine records, uncover hidden connections, or develop legal strategies that help vulnerable people was made possible by God.
I may hold the pen and carry the papers, but the wisdom, strength, opportunity, and breath came from above.
That truth is the heart of this song.
I am an old country boy, a redneck by choice, and a cowboy when I put on my hat.
Beneath the leather, buckle, suspenders, and boots, however, I remain what Abraham called “dust and ashes.”
My abilities do not make me superior, and my work does not make me infallible.
Every word must still be tested by evidence, Scripture, conscience, and prayer. A gift is not a throne. It is a trust.
The song begins with one of faith’s simplest promises: we may ask God for wisdom and His Spirit.
But asking requires humility. It also requires us to examine our motives.
Are we asking for wisdom so we can serve, or for wealth so we can escape responsibility and feed every appetite?
A lottery fortune without character can become another chain.
Money is not automatically evil, but neither is every profitable opportunity a blessing.
Satan offered Jesus the kingdoms and glory of the world in exchange for worship and compromise.
Jesus refused. He did not pray for riches, status, or an easy road.
In Gethsemane, He prayed, “Not My will, but Yours,” and received the strength to complete His Father’s will, even when obedience led toward the cross.
“Faithful with little, then faithful with more” is not a promise of mansions, luxury, or gold on the door.
The “more” may be greater responsibility, heavier burdens, more wounded people to serve, more truth to defend, and more crosses to bear.
God measures stewardship by faithfulness, not by the size of a bank account.
This song is also a prayer over my music and investigative work:
If God gives me a song, let me sing for the scarred.
If He gives me a mind, let me study what is hard.
If He opens records that powerful people wanted concealed, let me follow the trail until the truth is revealed.
If He gives me a strategy that strengthens the weak, let me never steal His glory when He teaches me to speak.
Pride cries, “Come see me.”
Faith kneels and says, “Lord, use me.”
If a song heals a heart, the glory is His.
If truth reaches the light, the glory is His.
I may stand before giants, but the strength is not my own.
I am dust in these boots, but I do not walk alone.
Musically, “Dust and Ashes in Cowboy Boots” blends a weathered baritone with conversational rap, boot-stomp drums, acoustic guitar, organ, harmonica, fiddle, and a rising gospel-choir finale.
It is country faith with dirt beneath its fingernails: honest, imperfect, grateful, and determined to serve.
Scriptural foundations:
James 1:5
Luke 11:13
Genesis 18:27
Matthew 4:8–10
Luke 22:42
Luke 16:10
1 Peter 2:21
James 1:17
Released by Tablet of the Heart Records.
If this song speaks to you, share it with someone carrying a burden, confronting a giant, or learning that humility is not weakness. It is knowing exactly where your strength comes from.
Vídeo Oficial de ''Pai Nosso'' de Padre Marcelo Rossi, do álbum Paz Sim, Violência Não (Volume 1).
Se inscreva no canal do Padre Marcelo Rossi:
LETRA:
Pai nosso que estás no céu Santificado seja o teu nome E venha a nós o teu reino E seja feita a tua vontade Pai, meu pai do céu, meu pai do céu Eu quase me esqueci, me esqueci Que o teu amor vela por mim, vela por mim Que seja feito assim Meu pai, meu pai do céu Meu pai do céu eu quase me esqueci, me esqueci Que o teu amor vela por mim, vela por mim Que seja feito assim O alimento desse dia dai-nos agora e sempre E perdoai nossas ofensas De um modo maior com que perdoamos Pai, meu pai do céu, meu pai do céu Eu quase me esqueci, me esqueci Que o teu amor vela por mim, vela por mim Que seja feito assim Meu pai, meu pai do céu Meu pai do céu eu quase me esqueci, me esqueci Que o teu amor vela por mim, vela por mim Que seja feito assim E não nos deixeis cair em tentação Mas livra-nos de todo o mal, amém
